Question 1 of 36
Five O'Clock
(1) At five in the morning, the bakery on Grant Street was still asleep, and it was Lena's job to wake it. She flipped the switch by the door, and the long fluorescent lights stuttered on one by one, as if they too needed a minute to remember where they were.
(2) The ovens came next. They were old and enormous, black iron giants that grumbled for twenty minutes before they were ready to work. While they warmed, Lena tied on her apron and pulled the dough from the walk-in cooler. It had been rising slowly all night, and it sighed when she pressed her thumb into it.
(3) Lena had not planned to be a baker. Two years earlier she had been laid off from the paper mill, along with half the town, and for months the days had stretched out in front of her like an empty highway. Then Mrs. Okafor, who owned the bakery, put a handwritten sign in the window: Help wanted. Early hours. Will train.
(4) The first weeks were humbling. Lena's loaves came out lopsided and pale. Her rolls were small, hard stones that Mrs. Okafor tapped on the counter without a word. But the older woman was patient. "Bread does not like to be rushed," she said. "Neither do bakers."
(5) Now Lena's hands knew the work. She shaped the loaves quickly, tucking the edges under with a turn of her wrists, and lined them up on the trays like soldiers waiting for orders. When the ovens finally reached temperature, she slid the trays in and closed the heavy doors.
(6) Then came her favorite part: the wait. Outside, the sky was still the color of a bruise, purple fading to gray at the edges. Inside, the smell of baking bread began to fill every corner of the room, warm and golden, wrapping itself around her shoulders like a blanket.
(7) By the time the first customer knocked at six-thirty—Mr. Petrakis, who always bought two rolls and complained about the weather—the shelves were full. Lena unlocked the door and let the cold in with him. "Morning," he grumbled, stamping snow from his boots.
(8) "Morning," Lena answered, and she meant it. A year ago, mornings had been something to get through. Now they were something she built, one loaf at a time.
In paragraph 3, the narrator says that after Lena was laid off, "the days had stretched out in front of her like an empty highway." This comparison suggests that the days felt
Hint
Picture an empty highway. What does it look like, and how might a person without a job feel about days like that?
Step-by-step solution
Where the answer comes from: paragraph 3 sets up the comparison: Lena "had been laid off from the paper mill, along with half the town, and for months the days had stretched out in front of her like an empty highway."
Step by step:
- Identify the comparison: days are compared to an empty highway (a simile, because it uses like).
- Ask what the two things share. An empty highway is long and has nothing on it. Days without work feel long and empty — with no plan or purpose filling them.
- Check the context: she had lost her job, and the next sentence describes the sign that gave her work. The comparison describes the empty time before that.
- Choice C matches. Choice A is too literal (she was not traveling). Choice B is the opposite feeling. Choice D adds danger, which an empty highway does not suggest.
The correct answer is C.
Tip: to decode a simile or metaphor, list two or three qualities of the comparison object, then keep only the qualities that fit the situation in the passage.